The debut album by the L.A. based Dexter Story. Featuring many guests artists such as The Life Force Trio (Carlos Nino), Mark de Clive-LoweL.A. mainstay Dexter Story steps up with his album ‘Seasons’ - a collection on of songs written by Dexter and co-produced by Carlos Nino, with guests from Los Angeles’ close-knit jazz and soul community, including Miguel Atwood-Ferguson, Mark de Clive-Lowe, Dwight Trible, i_Ced, Gaby Hernandez, and many more.
Progressing from their ﬁrst two records together as the Life Force Trio, 2005’s ‘Dwight Trible and The Life Force Trio’ on Ninja Tune and 2006’s ‘Living Room’ on Plug Research, the constellation on-conscious themes are sƟ ll there, but the sound is very different. Leaving behind the beat soundscapes from producers such as Georgia Anne Muldrow, Ras G, Madlib and Sa-Ra, for ‘Seasons’ the Dexter Story looked to arƟ sts like Bill Withers, Steely Dan, Donovan, and Earth Wind and Fire, for a record that’s just as cosmically-minded, but wrapped in the folky, blue-eyed soul that Carlos regularly plays on his weekly Spaceways radio show.
The seeds of ‘Seasons’ started out when Dexter began writing a song every day throughout 2010. By the end of the year, Carlos had whittled them down to just fifteen songs, which Dexter then went to work on producing and arranging,selected musicians and vocalists to bring the original compositions to the studio.“Those songs were created on a guitar or a wurlitzer,” Dexter explains. “They came from really simple ideas. Sometimes I would bring Carlos a track that was overproduced and he’d say “Deck, what did you start this song with?” and then he’d strip it back
to just bass, wurly, and guitar.”
Carlos and Dexter’s uncanny connected on and approach to production on has meant that the record doesn’t have much superﬁ cial embellishment. The message that Dexter had in mind when writing these songs was one of optimism and empowerment, to create a classic record that would reward repeat listens, and grow with the listener, that could be enjoyed through several decades. Carlos has made it his mission to ensure all the musical parts facilitated that message, and the result is an album steeped in powerful melodies and chord changes, stacked harmonies and deep feeling.
Album opener ‘Underway (Love Is)’ has echoes of Bobby Caldwell and ‘Sun Goddess’- era Ramsey Lewis, as steel pan and kalimbas combine with soaring strings and synths over a shuﬄing wood block groove to set the tone for the posiƟ ve vibes to come. Elsewhere, Dexter picks guest vocalists from across the spectrum of L.A.’s rich tapestry
of groups, dipping into Build An Ark and Horace TapscoƩ ’s Arkestra and linking with Gaby Hernandez, Waberi, JimeƩ a Rose Smith, Nichelle Monroe, i_Ced, and Erik Rico. Resonant tenor Dwight Trible steps to the mic for ‘God Son’, a track that Dexter wrote for the son of his friend and steel pan player Alan Lightner.
The album is also interspersed with plenty of instrumentals. On ‘Blood Drip’, Dexter nods to his love of hip hop and Carlos’ abstract ambience in projects like AmmonContact and Hu VibraƟ onal, while ‘Suijin’ evokes the changes and harmonies of classic Stevie Wonder. Even the inﬂ uence of The Cavern’s favorite sons get a nod on the penultimate track ‘Spring’, with its alternate rising and falling progressions. That’s at the heart of ‘Seasons’, the rise and fall of the annual journey, the themes of death, rebirth and renewal. Some songs recall the warming, ﬁ ery crescendo to summer, while others hint at the cooling down to winter. ‘Seasons’ is about life and the planetary cycle, and in that sense it’s an album everyone can relate to.