DON'T JUST SING | AN ANTHOLOGY: 1963-1999 by KARIN KROG

SKU83552
ArtistKARIN KROG
TitleDON'T JUST SING | AN ANTHOLOGY: 1963-1999
LabelLIGHT IN THE ATTIC
Catalog #LITA 129CD
Genre
ReleaseW 27 - 2015
FormatCD - USCD
EAN Barcode826853012928
Benelux exclusive, Import
 € 16,99 incl. VAT, excl. shipping

Tracks

  1. As A Wife Has A Cow
    https://objectstore.true.nl/rushhourrecords:files/tracks/d/83552_dont_just_sing_an_anthology_1963-1999/1_as_a_wife_has_a_cow.mp3
  2. Lazy Afternoon
    https://objectstore.true.nl/rushhourrecords:files/tracks/d/83552_dont_just_sing_an_anthology_1963-1999/2_lazy_afternoon.mp3
  3. We Could Be Flying
    https://objectstore.true.nl/rushhourrecords:files/tracks/d/83552_dont_just_sing_an_anthology_1963-1999/3_we_could_be_flying.mp3
  4. Raindrops, Raindrops
    https://objectstore.true.nl/rushhourrecords:files/tracks/d/83552_dont_just_sing_an_anthology_1963-1999/4_raindrops_raindrops.mp3
  5. Blues Eyes with Dexter Gordon
    https://objectstore.true.nl/rushhourrecords:files/tracks/d/83552_dont_just_sing_an_anthology_1963-1999/5_blues_eyes_with_dexter_gordon.mp3
  6. Ode To Billy Joe with Dexter Gordon
    https://objectstore.true.nl/rushhourrecords:files/tracks/d/83552_dont_just_sing_an_anthology_1963-1999/6_ode_to_billy_joe_with_dexter_gordon.mp3
  7. Images In Glass with John Surman
    https://objectstore.true.nl/rushhourrecords:files/tracks/d/83552_dont_just_sing_an_anthology_1963-1999/7_images_in_glass_with_john_surman.mp3
  8. Tystnaden
    https://objectstore.true.nl/rushhourrecords:files/tracks/d/83552_dont_just_sing_an_anthology_1963-1999/8_tystnaden.mp3
  9. Maiden Voyage
    https://objectstore.true.nl/rushhourrecords:files/tracks/d/83552_dont_just_sing_an_anthology_1963-1999/9_maiden_voyage.mp3
  10. Just Holding On with John Surman
    https://objectstore.true.nl/rushhourrecords:files/tracks/d/83552_dont_just_sing_an_anthology_1963-1999/10_just_holding_on_with_john_surman.mp3
  11. Don't Just Sing with John Surman
    https://objectstore.true.nl/rushhourrecords:files/tracks/d/83552_dont_just_sing_an_anthology_1963-1999/11_dont_just_sing_with_john_surman.mp3
  12. Glissando
    https://objectstore.true.nl/rushhourrecords:files/tracks/d/83552_dont_just_sing_an_anthology_1963-1999/12_glissando.mp3
  13. Break Of Day In Molde
    https://objectstore.true.nl/rushhourrecords:files/tracks/d/83552_dont_just_sing_an_anthology_1963-1999/13_break_of_day_in_molde.mp3
  14. All I Want
    https://objectstore.true.nl/rushhourrecords:files/tracks/d/83552_dont_just_sing_an_anthology_1963-1999/14_all_i_want.mp3
  15. Cloud Line Blue with John Surman
    https://objectstore.true.nl/rushhourrecords:files/tracks/d/83552_dont_just_sing_an_anthology_1963-1999/15_cloud_line_blue_with_john_surman.mp3
  16. John Coltrane's "A Love Supreme"
    https://objectstore.true.nl/rushhourrecords:files/tracks/d/83552_dont_just_sing_an_anthology_1963-1999/16_john_coltranes_quota_love_supremequot.mp3

Description

The work of Karin Krog may be unfamiliar to much of the world, but in her native Norway and Scandinavia at large, she�s practically a household name.This says much about the local enthusiasm for post-bop jazz but also about the tyranny of distribution: until 1994, Krog�s albums weren�t available in the USA or UK, meaning three decades of recordings were waiting to be discovered. With this anthology of her best recordings from 1963 to 1999�curated with Krog�s own input�we hope to set the record straight. To listen to opening track "As A Wife Has A Cow" is to jump into the deep end. It�s 54 seconds of words, voice, and technology, a looped, echoing reading of a Gertrude Stein poem. The effect is disquieting and alien but deeply rhythmic, too�and that�s Krog�s USP. Don�t Just Sing takes in these spoken experiments along with free jazz, improvisation, standards, contemporary covers, and electronic manipulation. It features some of the best regarded jazz players in Europe, not least her partner, John Surman, the English saxophonist/multi- instrumentalist and composer. Krog began singing jazz in the 1950s and started her first band in 1962. She not only had two tracks on the first ever Norwegian jazz LP, Metropol Jazz, but also became the first Norwegian jazz artist to record and release a full album (1964�s By Myself on the Philips label). Her sound developed as technological advances made new recording techniques possible, and she quickly embraced the album as the perfect form to contain her sonic experiments. �There is such a thing as too much manipulation,� says Krog today. Recorded with tenor saxophonist Jan Garbarek and bass player Arild Andersen, 1968�s Joy is regarded as her masterwork. Tracks from it can be found on this compilation, as can a couple of interesting covers: Joni Mitchell�s "All I Want" and Bobby Gentry�s "Ode To Billy Joe," both of which show how Krog brought jazz aesthetics to pop songs of the day. �I remember that there was a lot of buzz around Blue, and Joni Mitchell is, as everybody knows, a very talented singer and songwriter,� says Krog in the new liner notes. �Glass" and �Tystnaden" are the two previously unreleased finds from the archives, the former written for a British documentary in 1997, the latter a soundscape improvisation from a 1963 studio session with Lars Werner on piano, Kurt Lindgren on bass, and Janne Carlsson on drums. The compilation rounds off with the �Psalm� movement from John Coltrane�s monumental piece, A Love Supreme. Krog�s version came at suggestion of the man himself. �It was John who pointed to the text on the inner sleeve of the Impulse! LP and said, �Karin, look. Why don�t you sing this?�� she remembers. Krog remains fiercely productive, recording, performing, and running Meantime records from her and John�s villa near Oslo. Now 77, she�s showing no signs of slowing down. �Everybody has to retire at some point, but I believe that once a musician, you�re always a musician,� she says. �If I can�t stand up and sing on stage anymore, I can always do it sitting down!�

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