THE NEW BREED (IA11 EDITION) by JEFF PARKER
SKU | 139608 |
Artist | JEFF PARKER |
Title | THE NEW BREED (IA11 EDITION) |
Label | INTERNATIONAL ANTHEM RECORDING COMPANY |
Catalog # | IARC 0009LP11 |
Tag | |
Release | W 26 - 2025 |
Format | Vinyl - EULP |
EAN Barcode | 634457209152 |
Import | |
€ 23,50 | incl. VAT, excl. shipping |
Tracks
- Exclusive Life
- Para Ha Tay
- Here Comes Ezra
- Visions
- Jrifted
- How Fun It Is To Year Whip
- Get Dressed
- Cliche
Description
Over the course of 2025 International Anthem will be celebrating their eleventh year of existence by revisiting some of the most celebrated (and hard to find) entries in their decade of releases. These LP packages will be presented with new liner notes, new insert booklets, and the fresh 2025 redesign of their iconic obi strip and dome logo. They will also be at a price point intended to help make it easier for stores to stock and sell these essential pieces of their catalog.
Classic Black 140g LP inside a heavyweight reverse-board jacket with 16-page insert booklet (new for IA11, with additional photos, new liner notes written by New Breed bassist / co-producer Paul Bryan, and an in-depth conversation between JP and IARC co-founder Scott McNiece), IARC 2025 obi strip and printed poly-lined printed innersleeve. Pressed at Pallas in Germany, with lacquers cut by Daniel K at SST.
Jeff Parker’s 2016 album The New Breed was a turning point for both Parker and International Anthem, changing the trajectory of his solo career as well as drawing an abundance of attention to our fresh imprint despite our then very limited catalog. Most importantly though, the album is the first to give voice to Parker’s wholly unique take on sample-based beat construction augmented by improvisation and live instrumentation (performed in this case by the high-level crew of Paul Bryan on bass, Josh Johnson on alto saxophone and keys, Jamire Williams and Jay Bellerose on drums, Parker's daughter Ruby on vocals, and Parker himself on guitar, synths, and other instruments).
What began as Jeff’s interest in understanding his own idea of hip-hop processes (and how they related to his work in jazz) expanded into a blueprint for much of his work since then. (Hear also: The New Breed’s expansive followup Suite For Max Brown, the gentle deconstructionist solo guitar of Forfolks, and the long-form slow bloom improvisation of The Way Out of Easy.)