Knitting Factory Records releases the long-awaited vinyl reissue of Zombie. Classic!Zombie: Fela in his life time was never 'a good bed-fellow' of the military institution. As a political activist, he believed the army should operate under the mandate of a civil government. If national interest compels the armed forces to intervene in government, the army is obliged to hand over power to a new civil government elected by the people and enjoying their mandate. To do otherwise is to usurp power particularly since a soldier' s duty is not to seek a political mandate. For emphasis in the song, he narrates the military in motion comparing their orientation to the Zombie, without minds of their own. Fela paid a big price for this bold condemnation of the military institution. One thousand members of the Nigerian army attacked and burnt down his house after the release of the record. The tribunal set up to investigate the cause of the attack as a result of the public out-cry against the army, heard, as part of the evidence presented, an example of the Zombie album cover with the military uniform and boots displayed boldly. The army justification of the attack was that Fela treated the military institution with levity.
Mister Follow Follow: Mr. Follow Follow is about those who allow themselves to be led blindly by others. Since nobody can live in isolation, Fela sings about those who follow with their eyes wide open and those who follow with their eyes closed. Saying if you have to follow, it is better to follow with your eyes and ears open. For if you follow blindly, you will always remain in the dark: ï¿½ï¿½if you dey follow them book! Na inside cupboard you go quench!ï¿½cockroach dey! Rat dey!ï¿½na inside darkness you go dey! If you have to follow them books, you have to read with some sense, see with your eyes and hear with your earsï¿½, he concludes.
Observation Is No Crime: For the first time, Felaï¿½s listeners have the pleasure of a bonus UN-released track. Unlike all other works from these ï¿½Best Ofï¿½ compilations, ï¿½Observation Is No Crimeï¿½ï¿½is one of the few tracks Fela performed live but never recorded in the studio or released. Recorded live at the November 1978 Berlin Jazz Festival, Fela is singing about those who would like to stop him from giving his opinion on issues that involve the individual life: ï¿½Na oild I dey carry! Sand sand man no come spoil my own! (Meaning he is carrying a barrel of oil on his head and he does not want any sand-carrying man around him.). Literally comparing the delicate nature of individual life to a delicate barrel of oil, when oil falls into a heap of sand, it is difficult to recover the oil from the sand. Fela says he is given a mouth to say things he feels like saying, same thing for his eyes which are for him to see with. Turning to the government in Nigeria, who have always tried to silence him, he concludes by saying: ï¿½ï¿½Observation Is No Crime.ï¿½