TOO COMPLIMENT by JIM O'ROURKE

In O’Rourke’s hands, the mass of electronics takes on throbbing, organic dimensions, congealing grey matter and purplish veins of fluid in viscous transitions that glisten and spark with invention as they form new tissue. What comes out is as unearthly as the earliest electronic music, but also blessed with a psychedelc spirit in a way that’s long kept O’Rourke right out on his own, teetering between paradigms yet never settling into any single style.