S/T by YOUNES ZARHONI

SKU134788
ArtistYOUNES ZARHONI
TitleS/T
LabelKRAAK
Catalog #K128
Tag
ReleaseW 36 - 2024
FormatVinyl - EULP
Exclusive
 € 23,99 incl. VAT, excl. shipping

Tracks

  1. a bird in a hand
    https://objectstore.true.nl/rushhourrecords:files/tracks/k/k128_st/a1_a_bird_in_a_hand.mp3
  2. unrevealed
    https://objectstore.true.nl/rushhourrecords:files/tracks/k/k128_st/a2_unrevealed.mp3
  3. shoreless spaces
    https://objectstore.true.nl/rushhourrecords:files/tracks/k/k128_st/b1_shoreless_spaces.mp3
  4. the scent of absinth and moringas
    https://objectstore.true.nl/rushhourrecords:files/tracks/k/k128_st/b2_the_scent_of_absinth_and_moringas.mp3

Description

Highly original material on a very limited EP... be quick!

POLYPHONIC WAVES OF SOULFUL MADRIGALS

The power of duality is an inscrutable thing: we’re endlessly fascinated by the interplay between light and darkness, East and West, voice and silence, our senses tingling from the compelling synergies that thrive in perceived opposites. Drawing from an urbane Antwerpian upbringing and a Moroccan family lineage, the Brussels-based multidisciplinary artist Younes Zarhoni, embraces these very dualities in all of his projects, exploring those murky areas of contrast and bringing all their ambiguous energy to crystal clear focus.

A longtime staple of the local electronic music scene with his hypnotic techno outings as YZ, Zarhoni’s latest focus is on the compositional power of pure harmony and silence: namely, his polyphonic renditions of medieval mystical poetry, sung in multiple voices and left to solemnly radiate beyond their given spatial grounds. Stripped of all instrumental accompaniments, what you get is Gregorian chant meets Boyz 2 Men, articulated by the lyrical ineffability of Arabic tongues and finding their rhythm in the silences that act as the juncture between observation and anticipation.

These sparse stanzas tread under an elusive referential threshold, conjuring visions of architecture and archaism, madrigals and MTV, the sacred and the profane ~ ostensibly disparate elements that seamlessly fold themselves into the radicality of the compositions. In these 20 minutes of verse, Zarhoni oversteps the margins of categorization to deliver an immersive story of song, flowing freely and sustaining the arc of the narrative long after it has ebbed into silence.

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