DescriptionRecorded in the early ’70s, this collection of instrumentals is a crystal clear glimpse into a forgotten period of Portland’s music history. Fostered by the Albina Art Center, a hangout spot for creatively-inclined black youth, The Gangsters were led by trumpeter Thara Memory, who wrote and arranged most of their material, and produced the sessions heard on this vinyl-only release. Members of the group had served as Ural Thomas’ backing band just a few years prior and are featured on his 1968 LP on Revue, Can You Dig Itâ€¦Live. After gigging around the city for a
few years, the groupâ€”who were almost all in their late teensâ€”laid down some tracks at Ripcord Studios, but they disbanded soon thereafter and the tapes sat in a closet, unheard for over 40 years.
Rescued from obscurity, the tracks on this album have all the punch and hip-swinging joy of fellow jazz/funk artists like The Crusaders, Weather Report and Pleasure. But with Thara Memory leading the charge, the music has a rich complexity, best exemplified by the nine-minute “Suite for Funk Band,” which runs through a series of movements that touch on Latin grooves and post-bop before culminating in an almost-psychedelic breakdown capped off by a
devastating guitar solo.
For many members of The Gangsters, their careers would continue to flourish. Thara Memory became a renowned educator and won a Grammy for his work with Esperanza Spalding on her 2013 album Radio Music Society. Jimmy and Johnny Sanders toured in B.B. King’s band throughout his final decade of performance. And bassist Lester McFarland would play with jazz icons The Crusaders and The Jeff Lorber Fusion. But what this record captures is lightning in a bottle, a period when these young men crossed paths and created a burst of energy and light.
From start to finish, The Gangsters has been a community production completed 100% locally in Portland, Oregon. This vinyl-only release by Albina Music Trust comes with a beautifully-designed 12-page booklet featuring archival photos and advertisements from The Gangsters’ heyday, and an oral history of the band, told to executive producer Bobby Smith by the group’s surviving members. Covers have been printed on Stumptown custom Kraft Duplex paperboard. The record has been keenly transferred by Dave Fulton and mastered by Gus Elg.