SONIC FOLKWAYS by PIERRE BASTIEN

SKU125538
ArtistPIERRE BASTIEN
TitleSONIC FOLKWAYS
LabelDISCREPANT
Catalog #CREP92
Genre
ReleaseW 35 - 2022
FormatVinyl - EULP
Import
 € 23,99 incl. VAT, excl. shipping

Tracks

  1. maracas
    https://objectstore.true.nl/rushhourrecords:files/tracks/c/crep92_sonic_folkways/01_maracas.mp3
  2. were open
    https://objectstore.true.nl/rushhourrecords:files/tracks/c/crep92_sonic_folkways/02_were_open.mp3
  3. sheilas lament
    https://objectstore.true.nl/rushhourrecords:files/tracks/c/crep92_sonic_folkways/03_sheilas_lament.mp3
  4. happy twist
    https://objectstore.true.nl/rushhourrecords:files/tracks/c/crep92_sonic_folkways/04_happy_twist.mp3
  5. tambourine flush
    https://objectstore.true.nl/rushhourrecords:files/tracks/c/crep92_sonic_folkways/05_tambourine_flush.mp3
  6. you should release it
    https://objectstore.true.nl/rushhourrecords:files/tracks/c/crep92_sonic_folkways/06_you_should_release_it.mp3

Description

By now counting more than four decades of constant activity, Pierre Bastien erected such a towering and influential body of work that any blurb attempt regarding his music could easily fall into redundancy. Not that his revolving soundworld, deeply personal and unique, has ever stalled into gimmick or self mimicry, being Bastien the tireless explorer whose vision can never be complete, only continuously redefined in a process of discovery equally playful and challenging. So, completely in touch with Discrepant's ethos. 



Returning to the label after 2017 The Mecanocentric Worlds of Pierre Bastien, the french musician, composer and instrument builder, brings an array of instruments from different cartographies and legacies with the appropriately titled Sonic Folkways. Resorting to different types of horns, prepared trumpet, an army of percussion, from gongs and tambourine to castanets and maracas, violin and too many others to mention here, Bastien weaves together a highly textured and hypnotic mosaic that projects an exotica beamed from scraps of the future. 'Aha!' in the same interstellar wavelength as Sun Ra's cosmic tones, 'Moor's Room's' almost orchestral tapestry of small percussion and insects or the non-western strings and tunings salvaged from ancient alien ceremonies on 'Pan's Nap'.



In an era where so much ink has been shed about world building in experimental music, Bastien can actually claim that to himself. The otherworld is right here, indeed.

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