SEPTEMBER AND DECEMBER by CHRIS HANZSEK

SKU100026
ArtistCHRIS HANZSEK
TitleSEPTEMBER AND DECEMBER
LabelORBEATIZE
Catalog #ORB 07
Genre
ReleaseW 48 - 2017
FormatVinyl - EULP
Import
€ 22,99incl. VAT, excl. shipping

Tracks

  1. Fatal Flaws
    https://objectstore.true.nl/rushhourrecords:files/tracks/s/100026_september_and_december/1_fatal_flaws.mp3
  2. Hold My Cat
    https://objectstore.true.nl/rushhourrecords:files/tracks/s/100026_september_and_december/2_hold_my_cat.mp3
  3. Fade To Black
    https://objectstore.true.nl/rushhourrecords:files/tracks/s/100026_september_and_december/3_fade_to_black.mp3
  4. Swirl
    https://objectstore.true.nl/rushhourrecords:files/tracks/s/100026_september_and_december/4_swirl.mp3
  5. Drippy Cricket Head
    https://objectstore.true.nl/rushhourrecords:files/tracks/s/100026_september_and_december/5_drippy_cricket_head.mp3
  6. Propulsion
    https://objectstore.true.nl/rushhourrecords:files/tracks/s/100026_september_and_december/6_propulsion.mp3
  7. Grand Scheme Of Things
    https://objectstore.true.nl/rushhourrecords:files/tracks/s/100026_september_and_december/7_grand_scheme_of_things.mp3
  8. Reformance
    https://objectstore.true.nl/rushhourrecords:files/tracks/s/100026_september_and_december/8_reformance.mp3
  9. Track 9
    https://objectstore.true.nl/rushhourrecords:files/tracks/s/100026_september_and_december/9_track_9.mp3
  10. Touring
    https://objectstore.true.nl/rushhourrecords:files/tracks/s/100026_september_and_december/10_touring.mp3
  11. Haphazards
    https://objectstore.true.nl/rushhourrecords:files/tracks/s/100026_september_and_december/11_haphazards.mp3
  12. September And December
    https://objectstore.true.nl/rushhourrecords:files/tracks/s/100026_september_and_december/12_september_and_december.mp3

Description

The pieces were created as structured improvisations using a monophonic synth (primarily) along with a Yamaha DX7 (borrowed from a friend) and possibly a guitar. Recording was made on an older Otari MX-5050 1/2” 8 track. Mixing was done on a Tascam M-50 console and a Revox A77 1/4” machine."I recall the project happened in two bursts: I did half of it in September '85, then I finished up and edited the album together in December '85. I don’t really recall making copies for anyone. I think I played it for a dozen people and that was it. Just forgot about it. I remember Jeff Ament from Pearl Jam (Green River back then) came by while I had it playing on my home stereo. He asked what it was and said he liked it. Surprised me a little. With regard to overall aesthetic: I like the sound of machinery, but I enjoy the fragility of human error and human instinct. I like to put things into motion then climb aboard and drive. I can’t play an instrument (in the classical sense) for the life of me, so I’ve always just played things that are mostly choice rather than a convolution of style and technique. I guess you call that the Brian Eno school of rock."

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