SAC -SCHOOL OF AMERICAN CRAFTSMEN by JEFF RESNICK

SKU101121
ArtistJEFF RESNICK
TitleSAC -SCHOOL OF AMERICAN CRAFTSMEN
LabelOUTERNATIONAL SOUNDS
Catalog #OUTERNATIONAL 002
Tag
ReleaseW 50 - 2017
FormatVinyl - UKLP
 € 29,50 incl. VAT, excl. shipping

Tracks

  1. Wood
    https://objectstore.true.nl/rushhourrecords:files/tracks/s/101121_sac_-school_of_american_craftsmen/1_wood.mp3
  2. Metal
    https://objectstore.true.nl/rushhourrecords:files/tracks/s/101121_sac_-school_of_american_craftsmen/2_metal.mp3
  3. Weaving
    https://objectstore.true.nl/rushhourrecords:files/tracks/s/101121_sac_-school_of_american_craftsmen/3_weaving.mp3
  4. Glass
    https://objectstore.true.nl/rushhourrecords:files/tracks/s/101121_sac_-school_of_american_craftsmen/4_glass.mp3
  5. Clay
    https://objectstore.true.nl/rushhourrecords:files/tracks/s/101121_sac_-school_of_american_craftsmen/5_clay.mp3
  6. Painting
    https://objectstore.true.nl/rushhourrecords:files/tracks/s/101121_sac_-school_of_american_craftsmen/6_painting.mp3
  7. Printmaking
    https://objectstore.true.nl/rushhourrecords:files/tracks/s/101121_sac_-school_of_american_craftsmen/7_printmaking.mp3
  8. Foundations
    https://objectstore.true.nl/rushhourrecords:files/tracks/s/101121_sac_-school_of_american_craftsmen/8_foundations.mp3
  9. Communications Design
    https://objectstore.true.nl/rushhourrecords:files/tracks/s/101121_sac_-school_of_american_craftsmen/9_communications_design.mp3

Description

Repress from private pressed album, initial for promotional for Rochester Institute of Technology College of Applied Arts. Tip!Organically funky, laced with avant-garde synth textures, and studded with breakbeats, the second Outernational is Jeff Resnick’s unique, ultra-rare, 1978 promotional recording for the School for American Craftsmen, at the Rochester Institute of Technology. Five tracks of soul jazz and modal fusion — re-modelling Trane, and opening with a variation of Norwegian Wood — by a local group including trumpeter Jeff Tyzik and pianist Sonny Kompanek; then Resnick mostly solo for the second side, when the money ran out, multi-tracking synthesizers on his home set-up, in an engrossing blend of reflective abstraction, grooving electro and spiritualised fourth-world tropicalism. Bim!

More like this