QUE SUCEDE CON EL TIEMPO by MECANICA POPULAR
| SKU | 86236 |
| Artist | MECANICA POPULAR |
| Title | QUE SUCEDE CON EL TIEMPO |
| Label | DEAD-CERT |
| Catalog # | VCR 009 |
| Tag | |
| Release | W 44 - 2015 |
| Format | Vinyl - UKLP |
| € 24,99 | incl. VAT, excl. shipping |
Tracks
- Galilea: Centro De Datos
- Impresionistas I
- La Edad Del Bronce
- Impresionistas II
- Quiero Irme
- Siempre Tú
- Modelos Existentes
- Estado Sólido
- Daguerrotipo
- Plenilunio
- Máquinas Y Procedimientos
Description
Killer concrète grooves from 1984, as played by Beppe Loda at Typhoon, and including a remarkable Photek prototype. Edition of 500Behold, a cultishly coveted slab of freeform new wave dance/tape music from 1984 Madrid, Spain, re-released by Andy Votel, Sean Canty and Doug Shipton's Dead Cert label.
Notable not only for including Beppe Loda's Typhoon favourite, 'La Edad Del Bronce' - which sounds uncannily like a cut from Craig Leon's 'Nommos' - this album also features the beguiling concrète funk of 'Galilea: Centro De Datos', which, by any measure bears a striking, prototypical resemblance to Photek's 'Ni - Ten - Ichi - Ryu' and has become something of an oft-asked about staple in Dead-Cert's polysemous, polymetric DJ sets.
Founded in 1978, Mecánica Popular was the brainchild of Luis Delgado (also a member of Finis Africae) and Eugenio Muñoz, conceived and nurtured during after-hours sessions in Madrid's RCA studios exclusively using tape loops only - no samples involved.
They did however, use an innovative set-up including a Polaroid 600 camera, an Eventide H910 Harmonizer, and the Arp Odyssey, all fed thru a matrix of FX, to make a wonky, clanking sound that could be happily compared with the output of Conrad Schnitzler, Chris Carter, Jon Hassell, or Kerry Leimer during that fertile early '80s era.
