POND by CHAPERONE

SKU82893
ArtistCHAPERONE
TitlePOND
LabelGREAT CIRCLES
Catalog #GRCR 009
Tag
ReleaseW 20 - 2015
FormatVinyl - US12''
 € 16,99 incl. VAT, excl. shipping

Tracks

  1. Get Ghost
    https://objectstore.true.nl/rushhourrecords:files/tracks/p/82893_pond/1_get_ghost.mp3
  2. Cough into Auditorium Can't Tell Me to Nod Now
    https://objectstore.true.nl/rushhourrecords:files/tracks/p/82893_pond/2_cough_into_auditorium_cant_tell_me_to_nod_now.mp3
  3. All Your Emergencies
    https://objectstore.true.nl/rushhourrecords:files/tracks/p/82893_pond/3_all_your_emergencies.mp3
  4. Get Ghost (Westov Temple Suspended Mix)
    https://objectstore.true.nl/rushhourrecords:files/tracks/p/82893_pond/4_get_ghost_westov_temple_suspended_mix.mp3
  5. Cough into Auditorium Can%u2019t Tell Me to Nod Now (Hero/Victim Remix)
    https://objectstore.true.nl/rushhourrecords:files/tracks/p/82893_pond/5_cough_into_auditorium_canu2019t_tell_me_to_nod_now_herovictim_remix.mp3
  6. All Your Emergencies (Thug Entrancer Remix)
    https://objectstore.true.nl/rushhourrecords:files/tracks/p/82893_pond/6_all_your_emergencies_thug_entrancer_remix.mp3

Description

Philadelphia-based producer Chaperone has been working as a creative partner at Great Circles for the past six months, as well as collaborating with Westov Temple on an ongoing A/V project, Seppuku Overwrite. P O N D is his first 12” release on the label.The A-side of P O N D is comprised of three slow-paced, meditative takes on techno. Samples are blended with cut tape loops, following suit from earlier Chaperone cassette releases - No Gold//Hawaii [Crisis Urbana CU-03] and Reflex/Contaminant [Vague Audio Tapes VAT-003]. Artifacts become instruments. Capstan motors seem to slow, only to catch up again. Torn speaker cones from an earlier noise session are left to flutter, without question or regret. On the B-side are three re-works by Westov Temple, Hero/Victim [of Vague Audio Tapes] and Thug Entrancer [Software], making for faster, more rhythmic versions of the originals, each one zeroing in on and exploiting specific peculiarities of Chaperone’s sound.

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