OATS by BASIC HOUSE

SKU73728
ArtistBASIC HOUSE
TitleOATS
LabelALTER
Catalog #ALT12
Tag
ReleaseW 46 - 2013
FormatVinyl - UKLP
Exclusive
 € 16,99 incl. VAT, excl. shipping

Tracks

  1. AR II
    https://objectstore.true.nl/rushhourrecords:files/tracks/o/73728_oats/1_ar_ii.mp3
  2. Child Confession
    https://objectstore.true.nl/rushhourrecords:files/tracks/o/73728_oats/2_child_confession.mp3
  3. Interiors
    https://objectstore.true.nl/rushhourrecords:files/tracks/o/73728_oats/3_interiors.mp3
  4. Est Oan
    https://objectstore.true.nl/rushhourrecords:files/tracks/o/73728_oats/4_est_oan.mp3
  5. B.G. Feathers
    https://objectstore.true.nl/rushhourrecords:files/tracks/o/73728_oats/5_b.g._feathers.mp3
  6. Dry Contract
    https://objectstore.true.nl/rushhourrecords:files/tracks/o/73728_oats/6_dry_contract.mp3

Description

Basic House is the solo electronics project of Stephen Bishop, a mainstay of the DIY scene in the UK�s North East and the brain behind the label Opal Tapes.Bishop works with equipment both rudimentary and highly technical which become aligned together without bias to create a singular sound that focuses on decay, stagnation and apathy towards clich�s within the current climate of electronic music. Oats is his new full-length record with 6 deep compositions woven together to create seamless transitions between them. AR II opens the record with fragile and haunted electronics before developing into something almost melodic with an imposing 4/4 kick. Child Confession follows with dead electronic hums, whispered samples and a sluggish half speed techno thud which gives way to a collage of cruddy noise and scalpel sharp bursts of clatter and a crude non-rhythmic bass pulse before ending in the buzzing maelstrom of Interiors which is equal parts Florian Hecker and Andy Stott at his most visceral. Est Oan begins the second half of the record ominously with slightly absurd farmyard groans that eventually melt into hypnotic machine music. The industrial lurch of B.G. Feathers is closest Bishop comes on this side to hitting anything resembling a groove on this side and instead evokes the grinding power of Maurizio Bianchi�s best 80�s material.

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