MK 3.5: DIE CUTS / CITY PLANNING by MOUNT KIMBIE / DOM MAKER / KAI CAMPOS
| SKU | 126249 |
| Artist | MOUNT KIMBIE / DOM MAKER / KAI CAMPOS |
| Title | MK 3.5: DIE CUTS / CITY PLANNING |
| Label | WARP |
| Catalog # | WARPLP 319 / 5D0583 |
| Tag | |
| Release | W 45 - 2022 |
| Format | Vinyl - EU2LP |
| € 37,50 | incl. VAT, excl. shipping |
Tracks
- Dom Maker - DVD (feat Choker)
- Dom Maker - In Your Eyes (feat Slowthai & Danny Brown)
- Dom Maker - F1 Racer (feat Kucka)
- Dom Maker - Heat On, Lips On
- Dom Maker - End Of The Road (feat Reggie)
- Dom Maker - Somehow She's Still Here" (feat James Blake)
- Dom Maker - Kissing" (feat Slowthai)
- Dom Maker - Say That (feat Nomi)
- Dom Maker - Need U Tonight
- Dom Maker - If & When (feat Wiki)
- Dom Maker - Tender Hearts Meet The Sky (feat Keiyaa)
- Dom Maker - A Deities Encore" (feat Liv.e)
- Kai Campos - Q
- Kai Campos - Quartz
- Kai Campos - Transit Map (Flattened)
- Kai Campos - Satellite 7
- Kai Campos - Satellite 9
- Kai Campos - Satellite 6 (Corrupted)
- Kai Campos - Zone 3 (City Limits)
- Kai Campos - Zone 2 (Last Connection)
- Kai Campos - Zone 1 (24 Hours)
- Kai Campos - Industry
- Kai Campos - Human Voices
Description
Dom Maker and Kai Campos have always known how to masterfully synthesise their talents into one singular yet ever changing vision. Since beginning in 2009, their work has morphed from their distinctly British sound of dubstep and techno to the boundaryless and densely packed collaborations of Love What Survives. Five years after that scintillating record, the two take their talents as Mount Kimbie to new extremes by splitting them in half entirely.
Having walked separate paths musically and physically in the world over the years since Love What Survives, Dom and Kai took a literal approach to their latest record, separating it into two distinct, independently produced albums - but linked through shared senses of sonic haziness and melody. Die Cuts shows Dom Maker at a collaborative peak, interspersing vocal cuts, samples, and urban sounds in swiftly stitched vignettes with a slowed down, lo-fi flair. Meanwhile, the chugging beats of City Planning mimic train tracks, as Kai Campos’ album contains rhythmic paintings of urbanity with detailed sonic architecture. These two sides of Mount Kimbie are as different as day and night, yet they inform each other greatly, speaking a simultaneous message from separate locations.
