MAMAO'S BRAKE/ AH QUE LEGAL by IVAN CONTI

SKU94139
ArtistIVAN CONTI
TitleMAMAO'S BRAKE/ AH QUE LEGAL
LabelFAR OUT
Catalog #JD 36
Genre
ReleaseW 05 - 2017
FormatVinyl - UK12'
Import
€ 13,99incl. VAT, excl. shipping

Tracks

  1. Mamao's Brake (IG Culture remix)
    https://objectstore.true.nl/rushhourrecords:files/tracks/m/94139_mamaos_brake_ah_que_legal/1_mamaos_brake_ig_culture_remix.mp3
  2. Mamao's Brake (Tenderlonious remix)
    https://objectstore.true.nl/rushhourrecords:files/tracks/m/94139_mamaos_brake_ah_que_legal/2_mamaos_brake_tenderlonious_remix.mp3
  3. Ah Que Legal (Reginald Omas Mamode IV remix)
    https://objectstore.true.nl/rushhourrecords:files/tracks/m/94139_mamaos_brake_ah_que_legal/3_ah_que_legal_reginald_omas_mamode_iv_remix.mp3
  4. Ah Que Legal (Jeen Bassa remix)
    https://objectstore.true.nl/rushhourrecords:files/tracks/m/94139_mamaos_brake_ah_que_legal/4_ah_que_legal_jeen_bassa_remix.mp3

Description

Limited heavy-weight 12" vinyl to 300 copies only. Azymuth drummer Ivan 'Mamao' Conti's forthcoming self-titled solo project, remixed by West London broken beat pioneer IG Culture for a scorching club monster,alongside three future-funk remixes from 22a records family Tenderlonious, Reginald Omas Mamode IV and Jeen Bassa.Known by most as one third of Azymuth, Ivan Conti's career spans far beyond with over half a century�s worth for recordings with the likes of Milton Nascimento, Eumir Deodato, Marcos Valle, Hyldon, Gal Costa and Jorge Ben. More recently Mamao recorded an album with hip-hop royalty Madlib under the shared moniker �Jackson Conti�. Now aged seventy, Mamao�s work ethic is as strong as ever. In anticipation of a new Ivan Conti solo album set for release in 2017, Far Out Recordings have commissioned a series of remixes to be spread across two separate 12�s. The first is a strictly London affair, with a fiery bruk-boogie club track from West London pioneer IG Culture, joined by the signature future-funk of 22a Records family Tenderlonious, Reginald Omas Mamode IV and Jeen Bassa.

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