LIVE 77-79 by TEENAGE JESUS AND THE JERKS
| SKU | 86444 |
| Artist | TEENAGE JESUS AND THE JERKS |
| Title | LIVE 77-79 |
| Label | OTHER PEOPLE |
| Catalog # | OP035LP |
| Tag | |
| Release | W 49 - 2015 |
| Format | Vinyl - EULP |
| € 21,50 | incl. VAT, excl. shipping |
Tracks
- Track 1
- Track 2
- Track 3
- Track 4
- Track 5
- Track 6
- Track 7
- Track 8
- Track 9
- Track 10
- Track 11
- Track 12
- Track 13
- Track 14
- Track 15
- Track 16
- Track 17
- Track 18
- Track 19
- Track 20
- Track 21
- Track 22
- Track 23
- Track 24
- Track 25
- Track 26
- Track 27
Description
Edited and mastered from rare bootlegs taped during the initial 1977-1979 period of classic band, and only one title (Crown of Thorns from January 17,1979) has been legitimately released to date, albeit in a completely different sound quality. Almost every known Teenage Jesus and the Jerks composition appears on thisTeenage Jesus and the Jerks began to formulate their visionary brand of aural catharsis sometime during the first half of 1977, amidst the sordid ruins of a then fully down-and-out Lower Manhattan. The mastermind behind this juggernaut of sonic libertinage was a barely pubescent but world-weary runaway who called herself Lydia Lunch. Influenced strongly by the Marquis de Sade and Henry Miller, Lunch shrewdly decided to graft the existential horror of her own writing onto harsh, atonal music after being exposed to the room-clearing live output of other contemporary rock-music deconstructionists like Suicide and Mars. With an agenda of conjuring nightmarish intensity in lieu of technical instrumental ability, Teenage Jesus instantly made the supposedly “nihilistic” and “raw” current wave of so-called Punk acts sound like slick, good-timey pop music by comparison. Teenage Jesus and the Jerks were The Texas Chainsaw Massacre, lisa, She Wolf of the SS, and Salò, or the 120 Days of Sodom, transliterated into a blatant mockery of the increasingly tired, basic rock-band format.
