KOIZUMI IN THE HOUSE

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SKU	139691
Artist	KYOKO KOIZUMI
Title	KOIZUMI IN THE HOUSE
Label	SOUND METAPHORS RECORDS
Catalog #	SMR 033
Tag	Wave / Pop / Rock Japan
Release	W 22 - 2025
Format	Vinyl - EU2LP
	Import
€ 37,99	incl. VAT, excl. shipping

Tracks

fade out
KYOKO KOIZUMI
https://objectstore.true.nl/rushhourrecords:files/tracks/s/smr_033_koizumi_in_the_house/a1-smr033_1_fade_out.mp3
7000
KYOKO KOIZUMI
https://objectstore.true.nl/rushhourrecords:files/tracks/s/smr_033_koizumi_in_the_house/a2-smr033_2_7000.mp3
stand up
KYOKO KOIZUMI
https://objectstore.true.nl/rushhourrecords:files/tracks/s/smr_033_koizumi_in_the_house/b1-smr033_3_stand_up.mp3
wave
KYOKO KOIZUMI
https://objectstore.true.nl/rushhourrecords:files/tracks/s/smr_033_koizumi_in_the_house/b2-smr033_4_wave.mp3
cdj
KYOKO KOIZUMI
https://objectstore.true.nl/rushhourrecords:files/tracks/s/smr_033_koizumi_in_the_house/b3-smr033_5_cdj.mp3
kyon kyon
KYOKO KOIZUMI
https://objectstore.true.nl/rushhourrecords:files/tracks/s/smr_033_koizumi_in_the_house/c1-smr033_6_kyon_kyon_.mp3
集中できない
KYOKO KOIZUMI
https://objectstore.true.nl/rushhourrecords:files/tracks/s/smr_033_koizumi_in_the_house/c2-smr033_7_.mp3
音楽
KYOKO KOIZUMI
https://objectstore.true.nl/rushhourrecords:files/tracks/s/smr_033_koizumi_in_the_house/d1-smr033_8_.mp3
男の子はみんな
KYOKO KOIZUMI
https://objectstore.true.nl/rushhourrecords:files/tracks/s/smr_033_koizumi_in_the_house/d2-smr033_9_.mp3
水のルージュ (Break "Acid" Beats Mix)
KYOKO KOIZUMI
https://objectstore.true.nl/rushhourrecords:files/tracks/s/smr_033_koizumi_in_the_house/d3-smr033_10_break_acid_beats_mix.mp3

Description

Kyoko Koizumi, aka Kyon Kyon or Kyon², was one of the most popular and best selling pop idols through the 80s & 90s and on this album, thanks to the vision of Haruo Chikada as a producer, an unlikely combination of her vocals with the burgeoning sonics of house music takes place to great effect. What must have seemed like a cultural anomaly to contemporary audiences, particularly so early into the canon of house music (this record saw the light of day in 1989), we can now retrospectively recognise that not only does this album succeed as a snapshot of the musical zeitgeist of the time - it also predicted the unification of house & dance music with commercial pop sensibilities that has remained in the culture in the decades since. However, what is happening sonically on this record goes beyond anything disposable or vapid that might come to mind when one thinks of Pop forays into house music - we are served up menacing acid lines, hip-house rhythms and even some digi-dub excursions