IF THE 3RD WORLD WAR IS A MUST by RUFFY & TUFFY

SKU128363
ArtistRUFFY & TUFFY
TitleIF THE 3RD WORLD WAR IS A MUST
LabelSHELLA RECORDS
Catalog #SR007
Tag
ReleaseW 19 - 2023
FormatVinyl - US12''
Exclusive
 € 19,99 incl. VAT, excl. shipping

Tracks

  1. if the 3rd world war is a must
    https://objectstore.true.nl/rushhourrecords:files/tracks/s/sr007_if_the_3rd_world_war_is_a_must/_ruffy_tuffy-_if_the_3rd_world_war_is_a_must_version.mp3
  2. if the 3rd world war is a must dub
    https://objectstore.true.nl/rushhourrecords:files/tracks/s/sr007_if_the_3rd_world_war_is_a_must/a1-_ruffy_tuffy-_if_the_3rd_world_war_is_a_must_dub_.mp3

Description

Earl Lindo production from 1984... TIP!

Teenage twins Ruffy & Tuffy deliver an apocalyptic slab of synth drenched Rub a Dub with what could be the first use of Vocoder in Reggae for 1982’s If The 3rd World War Is A Must. This release draws from both the original 12” and the master tapes combining the best vocal cut and dub versions.

Though not prolific musicians, many may recognize the twins sparring in matching red Pony track suits in Ted Bafaloukos’ iconic 1978 film Rockers. Ahead of its time in almost every way, the lyrics dealing with global war and the nefarious use of technology, sadly seem as relevant now as they did in 1982 though some of the actors may have changed. Surrounded by elite reggae musicians from childhood it was nothing unusual for the brothers to be in the presence of elders like Gregory Isaacs, Burning Spear, Augustus Pablo, Jacob Miller and especially Bob Marley at recording sessions and in daily life.

If The 3rd World War was their first venture into the studio as solo artists in 1982 first at Channel One and then Tuff Gong where Wailers alumni Earl Wire Lindo and Tyrone Downie (keys and Vocoder) laid down their space age additions to the track creating a genre bending Reggae /Electro/ Dub concoction that still sounds fresh 41 years later. Wire Lindo & the twins took the mastertapes to Texas based mechanical engineer and producer Stephen “Iya” James who ran Marcus Garvey Records and the label African Unity Productions in the unlikely Reggae hub of Austin Texas. The track was not released until two years later in 1984 as a 12” which had a run of only 500 copies and is no easy find these days.

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