I AM BLACK BEAUTY by NAHID AKHTAR

SKU97023
ArtistNAHID AKHTAR
TitleI AM BLACK BEAUTY
LabelFINDERS KEEPERS
Catalog #FKR 083LP
Genre
ReleaseW 30 - 2017
FormatVinyl - UKLP
EAN Barcode5060099506451
Benelux exclusive, Import
 € 19,99 incl. VAT, excl. shipping

Tracks

  1. Badami Nainon Wale
    https://objectstore.true.nl/rushhourrecords:files/tracks/i/97023_i_am_black_beauty/1_badami_nainon_wale.mp3
  2. Naughty Boy
    https://objectstore.true.nl/rushhourrecords:files/tracks/i/97023_i_am_black_beauty/2_naughty_boy.mp3
  3. Aesi Chalo Na
  4. I Am Black Beauty
    https://objectstore.true.nl/rushhourrecords:files/tracks/i/97023_i_am_black_beauty/4_i_am_black_beauty.mp3
  5. Karye Pyar
  6. Yeh Aaj Mujhko Kya Huwa
    https://objectstore.true.nl/rushhourrecords:files/tracks/i/97023_i_am_black_beauty/6_yeh_aaj_mujhko_kya_huwa.mp3
  7. Good News For You
  8. Some Say I Am Sweety
  9. What Can I Do
  10. Sheeshy Ki Botel

Description

Compiling some of the rarest and most desieable Nahid Akhtar 7” appearances - some for the first time since their original release.“I am black beauty... love me!” A forthright enough request, one would think, from an artist whose music was indeed loved, revered and which played a hugely influential and omnipresent role in Lahore’s vibrant cinematic patchwork that covered the late 1970s and early 1980s. However, until now, it seems that this lost love letter to a potential global audience of millions of sonic suitors has been caught up in the pesky Pakistani postal system. Nahid Akhtar needs a connection. Don’t blame the Khyber Mail. In a neat and tidy career that spanned exactly ten years, Nahid Akhtar came, saw and conquered, then relatively disappeared without even thinking about buying the t-shirt. Disrobing the vibrant finery that interweaved textures of Ghazals, classical music, Punjabi folk songs and Qawwalis (not forgetting a wide range of progressive pop music penned for the Pakistani picture house) from which this records track list is lovingly gathered. It is virtually unfathomable that the multifarious music of Nahid Akhtar – combining textures, tempos, technologies, global in fences and multicultural languages (and all this within the opening seconds of a song!) – didn’t open the door to international stardom to match that of Asha Bhosle or Lata Mangeshkar from India. In the last few years the music of Lollywood’s golden era has enjoyed a marked resurgence amongst outernational music fans, with labels like Finders Keepers remastering and compiling the work of the Tafo Brothers and M. Ashraf for a global market with wide critical acclaim. Hopefully, with this collection as a sturdy stepping stone to a widely rewarding expanse of further listening, the music of Nahid Akhtar can find a place alongside your favourite international songbirds and her original love letters to the world of music will command a much justified RSVP.

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