CINEMA by CINEMA

SKU114905
ArtistCINEMA
TitleCINEMA
LabelDISCOS NADA
Catalog #ND 003
Genre
ReleaseW 02 - 2021
FormatVinyl - EULP
EAN Barcode8435008871130
Import
 € 29,99 incl. VAT, excl. shipping

Tracks

  1. falando alto
    https://objectstore.true.nl/rushhourrecords:files/tracks/n/nd_003_cinema/01_falando_alto.mp3
  2. no dia em que partiram
    https://objectstore.true.nl/rushhourrecords:files/tracks/n/nd_003_cinema/02_no_dia_em_que_partiram.mp3
  3. a lua as estrelas
    https://objectstore.true.nl/rushhourrecords:files/tracks/n/nd_003_cinema/03_a_lua_as_estrelas.mp3
  4. nao imagino
    https://objectstore.true.nl/rushhourrecords:files/tracks/n/nd_003_cinema/04_nao_imagino.mp3
  5. la dentro
    https://objectstore.true.nl/rushhourrecords:files/tracks/n/nd_003_cinema/05_la_dentro.mp3
  6. peixe pedra
    https://objectstore.true.nl/rushhourrecords:files/tracks/n/nd_003_cinema/06_peixe_pedra.mp3
  7. amor platonico
    https://objectstore.true.nl/rushhourrecords:files/tracks/n/nd_003_cinema/07_amor_platonico.mp3
  8. conversa bonus track
    https://objectstore.true.nl/rushhourrecords:files/tracks/n/nd_003_cinema/08_conversa_bonus_track.mp3
  9. intervalo
    https://objectstore.true.nl/rushhourrecords:files/tracks/n/nd_003_cinema/09_intervalo.mp3
  10. ciencia
    https://objectstore.true.nl/rushhourrecords:files/tracks/n/nd_003_cinema/10_ciencia.mp3
  11. ar de amor
    https://objectstore.true.nl/rushhourrecords:files/tracks/n/nd_003_cinema/11_ar_de_amor.mp3
  12. sem teto
    https://objectstore.true.nl/rushhourrecords:files/tracks/n/nd_003_cinema/12_sem_teto.mp3
  13. o poeta
    https://objectstore.true.nl/rushhourrecords:files/tracks/n/nd_003_cinema/13_o_poeta.mp3

Description

Cinema was an experimental and avant-garde piece released in early 1985. In many ways it’s an example of the new Brazil that was reborning after 21 years of darkness under Military Dictatorship. Musically, it was a pioneer album for Brazilian music, mixing acoustic and synthetic sounds.

The track “Sem Teto” was included in Outro Tempo (Electronic and Contemporary Music from Brazil 1978-1992), compilation by DJ John Gomez released by the Dutch label Music From Memory.
This rare adventure in Brazilian music was released independently in 1985, financed by the artists themselves. The original small press sold-out, belonging now to record collectors around the planet. For the first time Cinema is re-released on vinyl, with two extra and unreleased tracks found after decades.
Remastered from the original tapes, this reissue includes reproduction of the original art, by Waltércio Caldas and Miguel Rio Branco, an eight pages color booklet full of photos, images and new testimonials from the four members of the project and a long article signed by Bento Araujo, author of the book series Lindo Sonho Delirante, which investigates audacious and fearless music created in the Brazilian underground.

 

DESCRIPTION

1985 was one of the most important years in Brazil's recent history, when the country was freed from more than 20 years of military dictatorship. The youth took the lead and finally Brazil entered the world show business circuit with Rock In Rio festival. But the real revolution was happening in the underground and this record is a proof of that.
One of the people in charge was the musician, composer, poet, writer, scriptwriter and speaker from Rio de Janeiro Ronaldo Tapajós, who was always involved with experimental and avant-garde music. His trajectory begins in the mythical 1968, when, as part of the the duo Rô and Carlinhos, he released an emblematic single containing the song “O Gigante” - perhaps the first Brazilian bad trip recorded on vinyl and a shrewd criticism of the society's “square” habits.
According to Cinema’s LP press release: “in the era of visual music, Cinema is sound”. In terms of sound, listening to this album feels like diving into an intriguing anguish of trying to understand how the relationship between technology available at that time (1983-1984) and the more organic instruments happened, this duality between synthesizers/effects with percussion, woodwind instruments, piano and clarinet. In other words: how was the coexistence between the synthetic and the acoustic? This paradox seems to seduce collectors, DJs and enthusiasts of Brazilian music from the 80's around the world.
This fictional soundtrack has a dark mood, as if a fog of dark and ambient music insisted on staying on top of cheerful patterns of Afro-Brazilian percussion, or conceptual synth pop.

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