CAMEROON GARAGE FUNK by VARIOUS ARTISTS

SKU119557
ArtistVARIOUS ARTISTS
TitleCAMEROON GARAGE FUNK
LabelANALOG AFRICA
Catalog #AALP 092
Genre
ReleaseW 35 - 2021
FormatVinyl - EU2LP
EAN Barcode4260126061446
Import
 € 24,99 incl. VAT, excl. shipping

Tracks

  1. Jean-Pierre Djeukam - africa iyo
    https://objectstore.true.nl/rushhourrecords:files/tracks/a/aalp_092_cameroon_garage_funk_2lp_including_full_color_12_page_booklet/01_africa_iyo.mp3
  2. Joseph Kamga - sie tcheu
    https://objectstore.true.nl/rushhourrecords:files/tracks/a/aalp_092_cameroon_garage_funk_2lp_including_full_color_12_page_booklet/02_sie_tcheu.mp3
  3. Los Camaroes - ma wde wa
    https://objectstore.true.nl/rushhourrecords:files/tracks/a/aalp_092_cameroon_garage_funk_2lp_including_full_color_12_page_booklet/03_ma_wde_wa.mp3
  4. Los Camaroes - esele mulema moam
    https://objectstore.true.nl/rushhourrecords:files/tracks/a/aalp_092_cameroon_garage_funk_2lp_including_full_color_12_page_booklet/04_esele_mulema_moam.mp3
  5. Ndenga Andre Destin et Les Golden Sounds - yondja
    https://objectstore.true.nl/rushhourrecords:files/tracks/a/aalp_092_cameroon_garage_funk_2lp_including_full_color_12_page_booklet/05_yondja.mp3
  6. Damas Swing Orchestra - odylife
    https://objectstore.true.nl/rushhourrecords:files/tracks/a/aalp_092_cameroon_garage_funk_2lp_including_full_color_12_page_booklet/06_odylife.mp3
  7. Charles Lembe et Son Orchestra - quiero wapatcha
    https://objectstore.true.nl/rushhourrecords:files/tracks/a/aalp_092_cameroon_garage_funk_2lp_including_full_color_12_page_booklet/07_quiero_wapatcha.mp3
  8. Louis Wasson et L´Orchestre Kandem Irenée - song of love
    https://objectstore.true.nl/rushhourrecords:files/tracks/a/aalp_092_cameroon_garage_funk_2lp_including_full_color_12_page_booklet/08_song_of_love.mp3
  9. Tsanga Dieudonne - les souffrances
    https://objectstore.true.nl/rushhourrecords:files/tracks/a/aalp_092_cameroon_garage_funk_2lp_including_full_color_12_page_booklet/09_les_souffrances.mp3
  10. Pierre Didy Tchakounteet les Tulipes Noiresmonde moderne
    https://objectstore.true.nl/rushhourrecords:files/tracks/a/aalp_092_cameroon_garage_funk_2lp_including_full_color_12_page_booklet/10_monde_moderne.mp3
  11. Mballa Bony - meyik me mema
    https://objectstore.true.nl/rushhourrecords:files/tracks/a/aalp_092_cameroon_garage_funk_2lp_including_full_color_12_page_booklet/11_moni_ngan.mp3
  12. Mballa Bony - meyik me mema
    https://objectstore.true.nl/rushhourrecords:files/tracks/a/aalp_092_cameroon_garage_funk_2lp_including_full_color_12_page_booklet/12_meyik_me_mema.mp3
  13. Johnny Black et Les Jokers - mayi bo ya
    https://objectstore.true.nl/rushhourrecords:files/tracks/a/aalp_092_cameroon_garage_funk_2lp_including_full_color_12_page_booklet/13_mayi_bo_ya_.mp3
  14. Pierre Didy Tchakounte - ma fou fou
    https://objectstore.true.nl/rushhourrecords:files/tracks/a/aalp_092_cameroon_garage_funk_2lp_including_full_color_12_page_booklet/14_ma_fou_fou.mp3
  15. Lucas Tala - woman be fire
    https://objectstore.true.nl/rushhourrecords:files/tracks/a/aalp_092_cameroon_garage_funk_2lp_including_full_color_12_page_booklet/15_woman_be_fire.mp3
  16. Ndenga Andre Destin et Les Golden Sounds - ngamba - ngamba
    https://objectstore.true.nl/rushhourrecords:files/tracks/a/aalp_092_cameroon_garage_funk_2lp_including_full_color_12_page_booklet/16_ngamba.mp3

Description

 (2LP INCLUDING FULL COLOR 12 PAGE BOOKLET)

"Cameroon Garage Funk" highlights Yaoundé’s 1970's underground music scene in sixteen tracks; pulsating with raw inspiration and sweat, DYI mood uniting the featured diverse musicians around their willingness to do everything themselves in order to take a chance in the music scene. Comes as a Double LP pressed on 140g virgin vinyl with a Gatefold Cover and a full color 12-pages Booklet.

Check out a promo video here playing with different design material & archive photos :

 

Yaoundé, in the 1970´s, was a buzzing place. Every neighbourhood of Cameroon´s capital, no matter how dodgy, was filled with music spots but surprisingly there were no infrastructure to immortalise those musical riches. The country suffered from a serious lack of proper recording facilities, and the process of committing your song to tape could become a whole adventure unto itself. Of course, you could always book the national broadcasting company together with a sound engineer, but this was hardly an option for underground artists with no cash. But luckily an alternative option emerged in form of an adventist church with some good recording equipment and many of the artists on this compilation recorded their first few songs, secretly, in these premises thanks to Monsieur Awono, the church engineer.

He knew the schedule of the priests and, in exchange for some cash, he would arrange recording sessions. The artists still had to bring their own equipment, and since there was only one microphone, the amps and instruments had to be positioned perfectly. It was a risky business for everyone involved but since they knew they were making history, it was all worth it.

At the end of the recording, the master reel would be handed to whoever had paid for the session, usually the artist himself..and what happened next? With no distribution nor recording companies around this was a legitimate question. More often then not it was the french label Sonafric that would offer their manufacturing and distribution structure and many Cameroonian artist used that platform to kickstart their career. What is particularly surprising in the case of Sonafric was their willingness to take chances and judge music solely on their merit rather than their commercial viability. The sheer amount of seriously crazy music released also spoke volumes about the openness of the people behind the label. But who exactly are these artists that recorded one or two songs before disappearing, never to be heard from again? Some of the names were so obscure that even the most seasoned veterans of the Cameroonian music scene had never heard of them.

A few trips to the land of Makossa and many more hours of interviews were necessary to get enough insight to assemble the puzzle-pieces of Yaoundé’s buzzing 1970s music scene. We learned that despite the myriad difficulties involved in the simple process of making and releasing a record, the musicians of Yaoundé’s underground music scene left behind an extraordinary legacy of raw grooves and magnificent tunes. The songs may have been recorded in a church, with a single microphone in the span of only an hour or two, but the fact that we still pay attention to these great creations some 50 years later, only illustrates the timelessness of their music.

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