BOTIJA DE MI PAIS by RUBEN RADA & EDUARDO MATEO

SKU114434
ArtistRUBEN RADA & EDUARDO MATEO
TitleBOTIJA DE MI PAIS
LabelLITTLE BUTTERFLY RECORDS
Catalog #LBR 029
Tag
ReleaseW 45 - 2020
FormatVinyl - EULP
Import
 € 19,99 incl. VAT, excl. shipping

Tracks

  1. botija de mi pais
    https://objectstore.true.nl/rushhourrecords:files/tracks/l/lbr_029_botija_de_mi_pais/001_botija_de_mi_pais.mp3
  2. para hacer la conga
    https://objectstore.true.nl/rushhourrecords:files/tracks/l/lbr_029_botija_de_mi_pais/002_para_hacer_la_conga.mp3
  3. palo bembe
    https://objectstore.true.nl/rushhourrecords:files/tracks/l/lbr_029_botija_de_mi_pais/003_palo_bembe.mp3
  4. mirandome
    https://objectstore.true.nl/rushhourrecords:files/tracks/l/lbr_029_botija_de_mi_pais/004_mirandome.mp3
  5. la cebolla
    https://objectstore.true.nl/rushhourrecords:files/tracks/l/lbr_029_botija_de_mi_pais/005_la_cebolla_.mp3
  6. piel de zorro
    https://objectstore.true.nl/rushhourrecords:files/tracks/l/lbr_029_botija_de_mi_pais/006_piel_de_zorro_.mp3
  7. llamada
    https://objectstore.true.nl/rushhourrecords:files/tracks/l/lbr_029_botija_de_mi_pais/007_llamada.mp3
  8. el tordo
    https://objectstore.true.nl/rushhourrecords:files/tracks/l/lbr_029_botija_de_mi_pais/008_el_tordo.mp3
  9. pizza para la manana
    https://objectstore.true.nl/rushhourrecords:files/tracks/l/lbr_029_botija_de_mi_pais/009_pizza_para_la_manana.mp3

Description

Recorded between 1985 and 1987, this album brings together the two founders and leading performers of candombe-beat, Ruben Rada and Eduardo Mateo. They hadn´t collaborated in a project since 1969. Both artists had reached their creative prime, with Mateo having released “Cuerpo y Alma” and Rada, “La yapla mata” (which included the classic song ‘Tengo un candombe para Gardel’).  140 gram vinyl with OBI & Insert

 

This initiative sprang from the artists themselves. But when it was time to create, they rarely got together in the studio, preferring to work on their own. Once finished, the album failed to make an impact, since neither of them promoted it. 

This revival brings that semi-hidden treasure to light. It includes two tracks of the artists strictly performing a duet, the only recordings of Mateo and Rada working alongside each other and no one else.  It also contains two additional tracks where you can relish Rada accompanied by Mateo’s guitar and Mateo backed by Rada’s percussion.  It includes a track where Mateo commands the instruments (as in Mateo solo bien se lame) and another with Rada’s solo on vocals and percussion. There are instances when Rada’s band of that moment and “super-group” (with Osvaldo Nolé on keyboards, Ricardo Lew on electric guitar, Urbano on the bass and Osvaldo Fattoruso on drums), makes an appearance. Sometimes, Urbano comes forth as lead singer, completing the triad of singers of “El Kinto”. All excellent songs.

This album is exceptional and one-of-a-kind, an overflow of talent, musicality, swing, imagination, rhythm, spark, and transcendence.

Guilherme de Alencar Pinto

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