BGSC2002 by FAREED

"Standing on this sub-massive foundation, the Parisian producer also points to its musical tropes, but with a wand of dark magic.’ Ruins’ is a lead-heavy mutant dancehall cut that neatly reflects this thundery August period; in its latter half it morphs into a violent junglist exorcism, summoning the blackened grooves of drum & bass’ more occult offerings. Think Ed Rush or Doc Scott with their heads twisted all the way round. Process is equally petrifying, with its oblivion bass drops and paranoic atmospherics.