2023 by WLADIMIR M

SKU128832
ArtistWLADIMIR M
Title2023
Catalog #DSR/EEVO009
Tag
ReleaseW 22 - 2023
FormatVinyl - EULP
 € 16,50 incl. VAT, excl. shipping

Tracks

  1. De Belastingdienst
    https://objectstore.true.nl/rushhourrecords:files/tracks/d/dsreevo009_2023/1_de_belastingdienst.mp3
  2. Zie het onder ogen
    https://objectstore.true.nl/rushhourrecords:files/tracks/d/dsreevo009_2023/2_zie_het_onder_ogen.mp3
  3. Laisse moi
    https://objectstore.true.nl/rushhourrecords:files/tracks/d/dsreevo009_2023/3_laisse_moi.mp3
  4. Verraad ontrouw
    https://objectstore.true.nl/rushhourrecords:files/tracks/d/dsreevo009_2023/4_verraad_ontrouw.mp3
  5. Prive onderzoek
    https://objectstore.true.nl/rushhourrecords:files/tracks/d/dsreevo009_2023/5_prive_onderzoek.mp3
  6. 21 22 23
    https://objectstore.true.nl/rushhourrecords:files/tracks/d/dsreevo009_2023/6_21_22_23.mp3
  7. Geef ons een agenda
    https://objectstore.true.nl/rushhourrecords:files/tracks/d/dsreevo009_2023/7_geef_ons_een_agenda.mp3

Description

Dutch Cult-Techno producer Wladimir M (From the Eevo Lute fame of the very early 90s!) is back with a mini-LP for 2023, aptly called '2023'.

"'2023' is the rather unexpected new project of the Dutch cult hero Wladimir Manshanden. 32 years ago, in 1991, Wladimir M founded together with techno icon Stefan Robbers, one of the very first Dutch techno labels: Eevo Lute Muzique. While Robbers (as Terrace and Acid Junkies) pursued an international techno career in the years that followed, Manshanden preferred to remain in the shadows. His discography is as small as it is peculiar. His track 'Evil' is an undisputed classic, back in the days, picked up and licensed by the likes of Carl Craig and Dutch dj-legend Dimitri, while the re-issue a few years ago was picked up again by Nina Kraviz and others. For that reason alone, '2023' is special. But it gets even better. And weirder. On his collaborative (the music is produced by either Stefan Robbers or Bjorn Telkamp) new project, he disassembles the eighties pop hits of his youth into sober, futuristic spoken-word techno. On the one hand, he does not shy away from some cringe (Dire Straits, Simple Minds, Tina Turner). On the other, he pays tribute to some genuine electronic heroes like Kraftwerk, New Order and (low and behold) Master C&J. The path to the bare essentials leads through a futuristic labyrinth. Along the way, you get hints of monotone voices, cipher codes and wondrous Dutch titles like 'Prive Onderzoek.' The outcome is alienating and magical at the same time."

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