70'S BABY by HENRY KEEN

SKU99989
ArtistHENRY KEEN
Title70'S BABY
LabelMADDJAZZ RECORDINGS
Catalog #MJR 002
Tag
ReleaseW 48 - 2017
FormatVinyl - USLP
 € 27,99 incl. VAT, excl. shipping

Tracks

  1. 70's Baby
    https://objectstore.true.nl/rushhourrecords:files/tracks/7/99989_70s_baby/1_70s_baby.mp3
  2. Connectin
    https://objectstore.true.nl/rushhourrecords:files/tracks/7/99989_70s_baby/2_connectin.mp3
  3. Darboukafrique
    https://objectstore.true.nl/rushhourrecords:files/tracks/7/99989_70s_baby/3_darboukafrique.mp3
  4. Flow London
    https://objectstore.true.nl/rushhourrecords:files/tracks/7/99989_70s_baby/4_flow_london.mp3
  5. Gotta Step!
    https://objectstore.true.nl/rushhourrecords:files/tracks/7/99989_70s_baby/5_gotta_step.mp3
  6. Brotherly Love
    https://objectstore.true.nl/rushhourrecords:files/tracks/7/99989_70s_baby/6_brotherly_love.mp3
  7. Two Laws
    https://objectstore.true.nl/rushhourrecords:files/tracks/7/99989_70s_baby/7_two_laws.mp3
  8. Miriam's Funk
    https://objectstore.true.nl/rushhourrecords:files/tracks/7/99989_70s_baby/8_miriams_funk.mp3
  9. Strange Way To Play
    https://objectstore.true.nl/rushhourrecords:files/tracks/7/99989_70s_baby/9_strange_way_to_play.mp3
  10. Turn Of The Season
    https://objectstore.true.nl/rushhourrecords:files/tracks/7/99989_70s_baby/10_turn_of_the_season.mp3

Description

Debuting under his given name for Maddjazz Recordings' second offering, is DJ, producer and synth enthusiast Henry Keen. Check!Henry has been making music as Soundspecies alongside brother Olly since 1998 and the duo are also members of London-based experimental Gnawa band, Electric Jalaba. He also produces solo under the alias, The Room Below, initially reworking close friend Paul White's 'Rapping With' album but more recently exploring dance floor territories with releases on UK imprint ‘Don't Be Afraid’. 70’s Baby is a raw and honest record. A collection of uptempo grooves written in various locations around hectic inner London. It’s spirit is born out of the freedom of the CDR sessions at the now defunct club Plastic People, where many of Henry's productions were first shared, and where tempo and genre were irrelevant. It references Henry’s love for the instrumentation, recording techniques and sounds of the 1970s, the decade of his birth. Featuring a tasteful blend of worldly and otherworldly sounds, It owes itself to modern and ancient dance themes alike.

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