ROSE COLORED CORNER by LYNN CASTLE

SKU96381
ArtistLYNN CASTLE
TitleROSE COLORED CORNER
LabelLIGHT IN THE ATTIC
Catalog #LITA 157LP
Tag
ReleaseW 26 - 2017
FormatVinyl - USLP
EAN Barcode826853015714
Benelux exclusive, Import
 € 30,99 incl. VAT, excl. shipping

Tracks

  1. The Forest
    https://objectstore.true.nl/rushhourrecords:files/tracks/r/96382_rose_colored_corner/1_the_forest.mp3
  2. I'm Getting Tired
    https://objectstore.true.nl/rushhourrecords:files/tracks/r/96381_rose_colored_corner/2_im_getting_tired.mp3
  3. New York
    https://objectstore.true.nl/rushhourrecords:files/tracks/r/96382_rose_colored_corner/3_new_york.mp3
  4. What in the World Would I Do
    https://objectstore.true.nl/rushhourrecords:files/tracks/r/96382_rose_colored_corner/4_what_in_the_world_would_i_do.mp3
  5. She Thinks She Feels
    https://objectstore.true.nl/rushhourrecords:files/tracks/r/96382_rose_colored_corner/5_she_thinks_she_feels.mp3
  6. Rose Colored Corner
    https://objectstore.true.nl/rushhourrecords:files/tracks/r/96382_rose_colored_corner/6_rose_colored_corner.mp3
  7. Lonesome Look-Out
    https://objectstore.true.nl/rushhourrecords:files/tracks/r/96382_rose_colored_corner/7_lonesome_look-out.mp3
  8. The Stranger
    https://objectstore.true.nl/rushhourrecords:files/tracks/r/96382_rose_colored_corner/8_the_stranger.mp3
  9. The Puppet
    https://objectstore.true.nl/rushhourrecords:files/tracks/r/96382_rose_colored_corner/9_the_puppet.mp3
  10. Who Knows
    https://objectstore.true.nl/rushhourrecords:files/tracks/r/96382_rose_colored_corner/10_who_knows.mp3
  11. The Lady Barber with Last Friday's Fire
    https://objectstore.true.nl/rushhourrecords:files/tracks/r/96381_rose_colored_corner/11_the_lady_barber_with_last_fridays_fire.mp3
  12. Rose Colored Corner with Last Friday's Fire
    https://objectstore.true.nl/rushhourrecords:files/tracks/r/96381_rose_colored_corner/12_rose_colored_corner_with_last_fridays_fire.mp3

Description

Though most of the world may not know the songs of Lynn Castle, she is an artist whose work stretches across seven decades. She has created a diverse and vast (albeit mostly unreleased) discography of pop, folk, country, gothic, rock, punk, blues, and children's songs.Light In The Attic Records continues its Lee Hazlewood Archive Series with Rose Colored Corner, a collection of intimate recordings Lynn Castle made with Jack Nitzsche in 1966 and her complete recorded output with Lee Hazlewood on LHI Records. For the first time ever Lynn is sharing recordings from her personal archive and telling her story. In the 1960s Lynn became the first lady barber in LA just as long hair on men became hip. By day she was styling The Monkees, Boyce and Hart, Del Shannon, Sonny & Cher, the Byrds and countless others…by night she was writing songs. Despite lacking the desire to self promote and a crippling insecurity that made it hard to sing in front of anyone, her songs managed to bend the ears of such industry heavyweights as Phil Spector, Jack Nitzsche and Lee Hazlewood. “It was so hard to get me to sing,” explained Castle. “I had buried it so low, I didn’t think I was good at all. Lee heard my songs and thought I was fabulous. He said, ‘Oh my god, you’re really good! Let’s cut a record.’ Her sole 1967 45 “The Lady Barber" b/w "Rose Colored Corner,” released on Lee Hazlewood Industries is a slice of psychedelic pop heaven. A full length album was never completed, but her sparse demos with Jack Nitzsche give the listener a peek of what one might have sounded like. If you are familiar with Nitzsche’s mid-60s work with Tim Buckley, Bob Lind, and Buffalo Springfield…you can squint your ears and imagine her songs bejeweled with lush strings, finger cymbals, and delicate harpsichord. Instead, the songs remained unheard until now. Just because her songs weren’t recognized at the time doesn’t diminish their magic. This music is meant to be found and heard. Though commercial success may remain elusive, sometimes strange premonitions are realized… “When I was young, making music in the ‘60s, I had this strange thought that one day I would be this old woman, and young people would come find me and tell me that my music meant something to them.” - Lynn Castle

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