SOUTH AFRICAN SYNTH DISCO , 1980 TO 1984 by BOOGIE BREAKDOWN:
| SKU | 91629 |
| Artist | BOOGIE BREAKDOWN: |
| Title | SOUTH AFRICAN SYNTH DISCO , 1980 TO 1984 |
| Label | CULTURES OF SOUL |
| Catalog # | COS 018LP |
| Tag | |
| Release | W 38 - 2016 |
| Format | Vinyl - US2LP |
| EAN Barcode | 820250001813 |
| Benelux exclusive, Import | |
| € 24,99 | incl. VAT, excl. shipping |
Tracks
- Cannibals - Hey Tonight
- Cannibals - We Keep On Keeping On
- Harari - Party
- Harari - Good Vibes
- Don Laka - I Wanna Be Myself
- Don Laka - Let's Move the Night
- Neville Nash - Breakdown
- Neville Nash - Perfect Love
- Benjamin Ball - Flash A Flashlight
- Benjamin Ball - I Just Keep Dancing
- Al Etto - You've Got the Love
- Al Etto - Hold On to Love
Description
True to form, Boston-based label Cultures of Soul is set to release a compilation of obscure disco from a far-flung corner of the world. After forays into India and Brazil, they now turn their attention to South Africa. Compiled by Deano Sounds in collaboration with Johannesburg-based DJ Okapi, Boogie Breakdown serves up two tracks apiece from six seminal acts from the era � Harari, The Cannibals, Neville Nash, Benjamin Ball, Don Laka and Al Etto � to offer a glimpse into this long-forgotten era in African music history.
South Africa is home to a dizzying variety of musical genres and traditions, including some that look directly to American sounds for inspiration. In the late 70s and early 80s, many of the country�s best young musicians were guided by funk. All over the world, disco was growing harder and more electronic, with new synthesizers entering the market every month. The southern tip of Africa was no exception.
A period of true innovation and new possibilities � as well as isolation and political instability � the early 80s in South Africa saw the emergence of numerous talented, innovative artists, whose efforts soon gave rise to the big-selling �bubblegum� sound of the mid-80s. As the decade wore on, this sound shed its American roots and took on more local influences, becoming ever more electronic and less funky, to become the kwaito of the 90s and ultimately the house music of today. It all started with the arrival of synthesizers and the creativity of producers and artists featured on this compilation � pioneers of a new sound before it became established and marketable � global in its appeal, yet rooted in Africa.
