THE COMING (FUTURE) by G. MARCELL

SKU75724
ArtistG. MARCELL
TitleTHE COMING (FUTURE)
LabelSYNAPSIS RECORDS
Catalog #SYNAPSIS 011
Tag
ReleaseW 18 - 2014
FormatVinyl - US12''
 € 11,50 incl. VAT, excl. shipping

Tracks

  1. Barbarix
    https://objectstore.true.nl/rushhourrecords:files/tracks/t/75724_the_coming_future/1_barbarix.mp3
  2. Silent Rush
    https://objectstore.true.nl/rushhourrecords:files/tracks/t/75724_the_coming_future/2_silent_rush.mp3
  3. Warpped Mind Structure
    https://objectstore.true.nl/rushhourrecords:files/tracks/t/75724_the_coming_future/3_warpped_mind_structure.mp3

Description

Deep and in your face at the same time. Good house release !In this four-tune project G. Marcell shows off his melodic skills with many nice melody and bass line phrases. The dance energy is non-stop, and as the EP progresses so does the deepness. Perhaps the future is all ready here, let's listen to the sonic waveforms. Barbarix///A stuttering bassline begins the EP as the beat drops, melodic notes appear that starts to vary in note length. Percussion beats as toms hit inbetween the quarter notes. Sounding like the name with the rough and take-no-prisoners textures. Silent Rush///Next up is a tune where the tones stay in the higher note registers. The bass line is sneaky as the note timbre begin low and tail off to higher tones. Syncopation everywhere as the beat drops after a few intro phrases. Droning notes help to fill out the tune; later a chord progression opens up with new melody notes added, causing a nice B section. Banging percussion all the way through. Warped Mind Structure (People)///Though the beat is 4/4 the illusion of a break beat is perceived as the toms syncopate. A deep bassline kicks in to anchor the beat. Even deeper chords come in afterward to emote feelings of the past. People can you feel this? The bassline subtly becomes more complex as time floats by. DirtyAsDistortion///Ending this 12" with another grimey bassline is very fitting; a manic bass rides as the kick hits. Notes drone at the top, then suddenly a string melody line comes in, adding feelings to the mix. But the melody only last a moment as the bass line beats only to re-appear again. Yeah work it out. Four jams moving in unison to bang the box!

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