GLASS TRAPS EP by THE FANTASY

SKU73347
ArtistTHE FANTASY
TitleGLASS TRAPS EP
LabelSECRET MIXES / FIXES
Catalog #FIX 16
Tag
ReleaseW 45 - 2013
FormatVinyl - US12''
Import
 € 9,99 incl. VAT, excl. shipping

Tracks

  1. Glass Traps
    https://objectstore.true.nl/rushhourrecords:files/tracks/g/73347_glass_traps_ep/1_glass_traps.mp3
  2. Glass Traps (bonus beats)
    https://objectstore.true.nl/rushhourrecords:files/tracks/g/73347_glass_traps_ep/2_glass_traps_bonus_beats.mp3
  3. SevCo
    https://objectstore.true.nl/rushhourrecords:files/tracks/g/73347_glass_traps_ep/3_sevco.mp3
  4. NO Maestro
    https://objectstore.true.nl/rushhourrecords:files/tracks/g/73347_glass_traps_ep/4_no_maestro.mp3

Description

The Fantasy are 2 veteran Detroit DJs making their fantasy versions of untouchable songs. Hand Stamped limited edition one time pressing.
The Fantasy presents
Glass Traps EP
 A1 "Nite Flights", Walker Brothers, USA/UK, 1978 The hypnotically haunting title track from the Walker Brothers often forgotten classic 1978 album "Nite Flights", almost part of the Eno / Bowie / Visconti "Low" Trilogy. Given the full Fantasy treatment, this album cut is turned into an imagined 12" version, extending out the lush strings of some sort of disco euphoria before you are faced with the most puzzling and profound lyrics since Baudelaire. A2 Glass Traps (bonus beats) 2:13
"Nite Flights", Walker Brothers, USA/UK, 1978 This is the Minimalism (as in Terry Riley, Steve Reich) version, with a rhythm track. Hypnotic and almost a musical palindrome. B 
33 RPM B1 SevCo 4:53
"Always Randy" aka "50 Hz", Severed Heads, Austrailia, 1981 A totally hypnotic proto house bassline guy from Tom Ellard's Severed Heads, from a rare cassette in 1981, released in another form on Adenoids. Turned into the lost house jacker that it should be. B2 NO Maestro 4:57
"All I Do Everyday", The Meters, USA, 1977 This is an edit of a track that only appears as a bonus cut on the CD reissue of The Meters final LP "New Directions". I can only presume the band was all hating each other and paranoid about each individual not getting their props as the true pioneers of funk that they were. This is a collaboration between the bassist and the drummer only, and ironically is the only Meters cut with a drum machine. Given The Fantasy treatment for your pleasure.

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